Building with Leaves Stripe
Huntingdon College: Political Science Program
LASM 102: Justice, Spring 2004.
Lecture Outline, The Green Table: a Danse Macabre
Prof. Diana Green
This page was extensively revised by Jeremy Lewis on 15 April 2001.
  • 1. Introduction
  • 2. Video
  • 3: Questions
  • Full Text
  • HC Justice Syllabus
  • Section Syllabus
  • Section Timetable
  • Sample Questions
  • My Office Hours
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  • Political Climate: 
    • Between first and second world wars.
    • Peace conference was popular satirical image
  • Artistic movement: Expressionism
  • Formless outpouring of emotions
  • End of movement: dance artists found their own structure and form while continuing to rebel against the aristocratic style of ballet.
  • All movement has intent: dance-theatre.
  • Kurt Jooss: 1901 - 1979
  • Fascinated with TotenTanz
  • Death as great equalizer.
  • Death comes to us the way we live.
  • Great sense of social justice (fled to England 1933)
  • student of Rudolf von Laban: language of dance, eukinetics
  • reaction of body to gravity
  • Pulse governed by emotional and physical state
  • Breath occurs rythmically
  • Student demo:
  • Posture (reaction to gravity)
  • Heavy v Light
  • Bound v Free
  • impulse, impact and swing
  • Stable v Off balance
  • How dance communicates: kinesthetic response
  • music and sports
  • necessity for intent: spiritual connection
  • video's shortfall as a medium
  • Video The Green Table: A Dance of Death in Eight Scenes.  (Choreography by Kurt Jooss, reconstruction performed by the Joffrey Ballet in the 1980s; music composed by Fritz Cohen).

  • Prologue: Gentlemen in Black 
  • Transitional Solo: Death 
  • 3/4 time against 4/4 music, creating tension
  • clicking feet -- may not be heard well on video
  • angular, bound, relentless weight
  • form ABA
  • The Farewells (Jooss's memories from WW1.)
  • Standard bearer: white, fluid
  • Young Soldier: lifeless marching, uplifted, driven
  • Young girl; restained with own weight, enfolding, impulse
  • Old Soldier: heavier steps, burdened, hindered by woman, halting, after the beat, crucifixion image
  • Profiteer: goves, claps, stacatto movements, snakelike
  • The Battle: ABA form, red flag, strong, impulse, off balance
  • The Refugees: calm, boatlike motion, old woman peering
  • The Partisan (underground fighter): red, opposite polarities
  • The Brothel (whore house): out of control, free hair
  • The Aftermath: Danse macabre procession
  • Transitional Solo: Death
  • Return to the Green (conference) Table
  • Epilogue: The Gentlemen in Black

  • Ballet begins as it ends -- why?

    Questions:

    1. Why did the composer select a tango for the Gentlemen in Black?
    2. Why do many people label this modern piece "ballet?"
    3. How does this statement of political justice relate to Machiavellian justice?
    4. Draw some pictures from The Green Table. Are there images that stick in your mind?  What do these images communicate?